MONAMOUR |
MAD COWGIRL 2006 – NR - 89 minutes D: Gregory Hatanaka S: Sarah Lassez – James Duval – Walter Koenig – Katie Weaver DVD Provided by Cinema Epoch Widescreen/ 5.1 Dolby Digital Extras: Deleted Scenes – Stills Gallery – Behind the Scenes – Trailers Like a drug pusher that is strung out on his own product, Los Angeles health inspector Theresa (Sarah Lassez) eats too much red meat. Given the recent Mad Cow Disease scare, that's not a good idea. But tempting fate by being a steak addict isn't her only hang up. Theresa's boyfriend (James Duval) is breaking health codes with his meat-packing business, while at the same time her ex-boyfriend stalks her and her older lover (Walter Koenig), a discontent televangelist, dumps her. The DVD cover jacket makes this project appear as if it's a mad-girl-gone-slasher flick. That's not the case at all. While it's appears as if Theresa's sanity is grating away, we can't be sure. Is she going crazy or is she infected with Mad Cow Disease? It doesn't matter. Despite a brave acting attempt by lead actress Sarah Lassez, the movie ends up being the “Sybil” of the SOV world. Is it a psychological drama, or an offbeat horror flick, or a satirical commentary, or a mostly aimless mess that bites off more beef than it can chew? There are some decent shots and talent here, but director Hatanaka provides too much of a scattershot stylish approach to what is actually a bite-size bit of content. Add to the recipe some redundant imagery and slow pacing and the end result is, well, rather indigestible for the viewer. – Craig Hamann |
MASTERS OF HORROR: PELTS 2006 – N/R – 59 Minutes D: Dario Argento S: Meat Loaf Aday – John Saxon DVD Provided by Anchor Bay Entertainment Anamorphic Widescreen/Dolby Surround 5.1/Digital 2.0 Extras: 2 Featurettes – Commentary – 2 Galleries – Screenplay – Argento Bio The world of furs gets a righteous kick in the ass with Argento’s foray into the fantastic. Fantastic being the key if you can buy an ancient powerful civilization of creatures living on earth as raccoons. Believe me, it reads a lot better as a short story from F. Paul Wilson, but if you can swallow the premise, the rest is a lot of fun. Saxon plays a washed up trapper who kills the raccoons, but soon his bloody death is covered up when furrier Meat Loaf discovers how beautiful the specimens are. Soon his obsession for a local stripper goes beyond the usual lap dance and people are either getting skinned alive or skinning themselves (won’t say more as it would spoil too much grisly madness). Argento’s direction works well with the setting, the F/X scenes are top notch and disgusting, but when all is said and done, you may want to take a shower to wash the griminess off. Saxon is a real stand out here and his scenes are worthy of checking out this episode alone. While just revenge is an obvious outcome, animal lovers and rights activists may still want to give this one a miss. Fans of the series and gorehounds will definitely want to give it a shot. – Mark Engle |
MASTERS OF HORROR: FAMILY 2006 – N/R – 58 Minutes D: John Landis S: George Wendt – Meredith Monroe – Matt Keeslar DVD Provided by Anchor Bay Entertainment Widescreen/Dolby Digital 5.1/Surround 2.0 Extras: 2 Featurettes – Writer Commentary – Storyboards – Still Gallery – Screenplay - Trailers Harold (George Wendt) owns a nice house out in the suburbs. He likes it quiet and peaceful, a sort of Leave It To Beaver setting. Unfortunately, for a single guy to have that, he has to have a family. Well, Harold is one bent guy. He found his family by kidnapping people from other towns, brings them home, kills them, strips their bodies of all their flesh and dresses up the skeletons. He talks to them and they talk back and all is right in the world. That is until a young couple moves in next door. Harold has the hots for Meredith Monroe and all of the sudden his skeleton wife is jealous. Now to get rid of his soon to be ex and Monroe’s husband so they can live happily ever after, large flesh next to no flesh! Landis brings about a nice comic tone thanks to Wendt’s great performance, which is part creepy and part sad. Monroe and Keeslar also stand out. Problem with this episode is it never gets as creepy comical or macabre as it should have. The whole episode plays out in a sort of safe mode despite some great gore sequences and performances. The dark humor just isn’t black enough, but it’s still entertaining, just too light for Masters Of Horror. – Mark Engle |
MASTERS OF HORROR: THE BLACK CAT 2006 – N/R – 60 Minutes D: Stuart Gordon S: Jeffrey Combs – Elyse Levesque – Aron Tager DVD Provided by Anchor Bay Entertainment Anamorphic Widescreen/Dolby Surround 5.1/Digital 2.0 Extras: Two Featurettes – Commentary – Photo Gallery – Screenplay – Trailers Part Bio part faithful adaptation, both director Gordon and actor Combs bring about an intelligent tale of a tormented soul. This is an exquisite version of Poe’s morbid telling of obsession. While never downright scary, The Black Cat is probably one of the most captivating chapters of the Masters Of Horror series. Poe (Jeffrey Combs) has trouble writing while battling alcoholism and watching his very young cousin/wife die from tuberculosis. He turns his problems onto an obsession of their black cat. From there things go from worse to out and out disturbing as Poe’s mind and world begins to fail around him. This is probably one of the most lavish productions from the series thus far featuring incredible sets, some excellent and gory FX work, direction and acting. Jeffrey Combs is not only perfect as Poe he uncannily looks just like the poet. Elyse Levesque as his wife also does an excellent job and is quite beautiful. Veteran actor Aron Tager also does an impressive job as George Graham, Poe’s greedy and seedy magazine editor. The cinematography by David Pelletier is pitch perfect and Rich Ragsdale’s musical score has a sense of fun found in much of Gordon’s feature films while still standing well enough on its own. Very recommended. – Mark Engle |
MASTERS OF HORROR: VALERIE ON THE STAIRS 2006 – NR – 60 Minutes D: Mick Garriss S: Christopher Lloyd – Tony Todd Based on Clive Barker’ short story, a young writer moves into an apartment building for poor unpublished authors. The rent’s free but so are the ghosts and eccentric attitudes of the residents. On his first night Valerie shows up unclothed and begging for help, but when he tries to save her from a demonic specter, she and her captor disappear into the wall. The rest of the tenants claim they know nothing, but in fact, their reality has been taken over by a continuing story that they all take part in. Christopher Lloyd explains as they go and ends up paying the price. While done quite differently, this little tale is very much like John Carpenter’s In The Mouth Of Madness. And that is part of the problem. There’s too much for such a television episode that’s less than an hour and Valerie On The Stairs would have benefited with a much longer running time. It also doesn’t help that Tony Todd’s make up as the demon looks terrible, despite how menacing he tries to be. Some good atmosphere, decent acting, excellent looking gore and dead corpses just can’t save the over all frustration by this decent attempt at a good story. Valerie manages to keep Barker’s mature storyline and feel, but in the end you feel like you just watched a teaser of what could have been. Either way, it’s worth a look compared to some of the other episodes. – Mark Engle |
MASTERS
OF HORROR: WE ALL SCREAM FOR ICE CREAM 2006 – NR – 57 Minutes D: Tom Holland S: William Forsythe – Lee Tergeson DVD Courtesy of Starz Home Entertainment Widescreen/Dolby Surround 5.1/Digital 2.0 Extras: 2 Featurettes – Commentary – Photo Gallery – Screenplay – Trailers Holland, who brought us Child’s Play and Fright Night takes a turn in the Master Of Horrors series with mixed results. A silly premise is handled with excellent direction and a great performance from William Forsythe. A group of kids way back tormented a mentally handicapped ice cream vendor who dressed as a clown and entertained the children with magic tricks. When the kids take things too far, they cause Buster The Clown to get run over by his own ice cream truck. Years later, Buster is back using the gang’s own children to get revenge. By selling the kids voodoo doll ice cream cones of their parents, he kills the adults when the little tykes bite the heads off the frozen bars. The adults melt into a gross goo of guts and ice cream. Yeah, it sounds goofy and it is. There’s some great gore effects, but even those get ruined when the melting finale is done via poor CGI. Some good atmospheric shots can’t quite save the premise. As an adult horror series, this just doesn’t quite work, but then again, I’m not one scared by clowns, even Stephen King’s IT did nothing for me. If big feet, a red nose and rainbow hair is your phobia, it might just work thanks to Forsythe’s endearing performance that turns nasty. – Mark Engle |
MOONLIGHTING WIVES 1966 – NR – 86 Minutes D: Joe Sarno S: Tammy Latour, Joe Santos, Jan Nash DVD Provided by Retro Seduction Cinema Fullscreen/Mono Extras: Liner notes, Joe Sarno interview, Trailers Retro cinema releases are cropping up all over the indie market these days. Here is an entry from Seduction Cinema that happens to be Joe Sarno's first color film. Despite being a Sarno film, there isn't any nudity but don't let that get to you. It's still a highly exploitive movie that is campy as all get out, though it does try to have somewhat of a message. This Sarno flick even delves into character study territory as it explores a prostitution ring made up of financially strapped suburban housewives. What's interesting is that the lust in this story isn't as much for the women as it is for money and power. By the way, although there is no nudity, there are some sexy scenes with women in mid-60's style undies, particularly a hot little slinky dance by Jan Nash (aka Gretchen Rudolph). Seriously, it made me weak in my knees to watch it. Anyway, this is a great curiosity piece and should be viewed by every genre fan at least once. – Craig Hamann |
MOVIN’ TOO FAST 2005 – R – 91 Min. D: Eric Chambers S: Marquita Terry, Layla Alexander DVD Provided by MTI Home Video Anamorphic Widescreen / Dolby Digital 2.0 Preview Disc – Edition details N/A Two girls, strangers at the start, are traveling cross-country to California when one is almost raped by a cop. After narrowly escaping his clutches, they are stalked and tormented by an unseen psychopath in a high-powered police cruiser. The plot is as simple as that and will probably seem familiar to many viewers. However, the approach is fresh and the end result is a surreal thriller that’s equal parts road movie, slasher film, exploitation flick, and drive-in throwback. As the story progresses you’ll find yourself completely immersed in Chambers’ vision of terror in the desert. You get to know the characters through their actions just as they get to know each other. You are imperceptibly absorbed into their ordeal and though there are some instances of so-called ‘slasher film logic’, chances are you won’t care. Terry and Alexander bring across their fiery desire to survive at any cost with believability and skill; this translates into several intense confrontations and a number of powerful images. Chambers was an accomplished stuntman before moving into directing and uses his trained eye to deliver some impressive car action as well. As much as other recent releases have tried to capture that raw 70’s spirit and failed miserably, Movin’ Too Fast succeeds magnificently. Don’t let this one slip under your radar. – Michael Mackie |
MANTICORE In war ravaged Iraq (it was filmed in Bulgaria) a GNN reporter (Masterson) and her cameraman go missing so it’s up to a group of American soldiers to face the dangers of the desert, find them, and bring them back safely. A difficult task indeed since some crazy, bald, cave-dwelling, madman just resurrected a mythical beast in order to cleanse the land and become king. Finding the news crew proves problematic enough, but escaping death at the claws of an angry monster is definitely no walk in the park either. Also, the would-be king is hiding amongst the innocent villagers biding his time until he can recover a medallion that will give him control over the blood-lusting Manticore he has brought back to life. The acting from Beltran and Donahue as tired soldiers doing their best is fine; Fahey and the rest of the cast also deliver passably believable performances. It’s the ridiculously cliché-ridden script that makes Manticore an absolute chore to endure. Couple that with the horrible CGI rendering of the creature and what you end up with is a giant sandy booger stuck to your screen for an hour and a half. Most of the time the dialogue is just awful and nothing shows up on your screen that you haven’t already come across in dozens of other SyFy Channel premiers. Manticore is a massive bore, forget about it.- Michael Mackie |
MUTANT
HUNT |
METAMORPHOSIS:
BEYOND THE SCREEN DOOR |
MUTANT
aka NIGHT SHADOWS |
MAKIRIKO
A.K.A. MA-KIRI-KO More Anime styled fantasies brought to low budget life as Switchblade Pictures blesses fans with yet another direct-to-video treat from Japan. In this, Komaki (Fujiura) is a sweet girl whose academic pursuits are taking a sideline to her blossoming love for would-be school basketball star Shindo (Baba). Her mentor/teacher sees this and tries his best to gum up the works, sabotaging the ‘almost there’ relationship by framing Shindo and leading him to believe Komaki is the cause. Sounds like your typical Anime high school love story, yes? Not quite… There’s a murderous monster on the loose and a mysterious hunter (Kyoko Sato) has come to track it down before more souls are swallowed into the abyss. This beast bashing babe has a personal agenda; she’s trying to eliminate and collect the souls of 99 creatures so that… Well, you’ll just have to see it to find out. Besides, it’s fun watching her break out with that cool transforming sword while trying to keep the talkative, whiny, and decidedly rubbery, demon puppet on her shoulder as quiet as possible. By now, most know what to expect from these releases and on that scale Makiriko is a winner. Low rent, of course, but at about an hour long it never overstays its welcome and, as always, is a surefire good time for the right audience. There’s no graphic violence or nudity present, though Megu Fujiura has found her fame in Japan as an actress in many an adult film. Perhaps surprisingly then, she does a fantastic job as the shy wide-eyed innocent who’s fallen hopelessly in love with resident bad boy Shindo. It should be pointed out that when the big beastie is finally revealed, it turns out to be little more than a bunch of rubber arms and tentacles stuck to a board or something. Even so, Makiriko is still entertaining and therefore a solid addition to any Switchblade Pictures collection. - Michael Mackie |
MOCK
UP ON MU I don’t know where to begin with this one, folks. Let me just say this is a bizarre film. Filmmaker Craig Baldwin basically dumps a puzzle on the floor and then puts it all together. However, here Baldwin doesn’t worry about what pieces fit or don’t fit, as he uses a scissors to shape the parts into a different but still relevant picture of, well, the world. Okay, so the story has to do with L. Ron Hubbard, who has managed to remain alive in the year 2019, founding the Empire of Mu on the moon. He enlists Agent C to seduce Lockheed Martin and… I’m sorry, I can’t go on. This entire film is an attack on the brain. It’s part cinema history, part science fiction, part satirical commentary, and part conspiracy theory. Does it all work? Yeah, pretty much. I guess it depends on whether or not one doesn’t mind watching a film that spans 114 minutes and plays like a psychotic newsreel. This is mostly out of synch ADR work over a frightful compilation of film footage, and it can all become mind-numbingly distracting if the viewer isn’t in the mood for it. Bottom line, filmmaker Baldwin does have something to say, and it’s worth hearing, but you just might have to be on shrooms to take it all in. – Craig Hamann |