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TRILOGY
OF BLOOD
2010 - NR - 27 Min.
D: Rick Kelly & Charlie Ruckus
S: DEADNEKS - Brenna Lee Roth - Elysegirl - Natisha Gardner
DVD Provided by Ruckus Productions
Anamorphic Widescreen 2.35:1/Dolby Digital
Three arguing psychobilly ladies are headed cross country and pick up
a hitchhiker to break up the monotony. They are cordially invited to a
late night party and Deadneks barn concert ala southern hillbilly-trasho-style.
What they don't know is that these good old boys took H.G. Lewis' 2000
MANIACS to heart and just love cutting off limbs, hog-tying up the ladies,
slice & dice and have a good old fashioned cannibalistic barbeque.
The "Trilogy" in TRILOGY OF TERROR refers to three songs performed
by the DEADNEKS and the storyline follows the three gals as they meet
their gory demise. For a reported 68 dollar budget, there's tons of cheap
gore, lots of nudity and great southern horror-styled psychobilly trash
for those of us who love it (count me in as a fan). At one point a girl
goes running across the screen, through the woods screaming. Her assailant
then comes running across the screen wearing nothing but a tube sock on
his dick. Yup, it's just that kind of movie! It gets crazier with the
guy having "relations" with a rusty old tractor while another
girl sticks a hand-turn beater up his butt. The acting is pretty on par
with Lewis' BLOOD FEAST and the gore is on the same level. Actually, considering
the budget, quite a bit is accomplished. It's only a shame that they didn't
spend another $136.00 and make two more stories to flesh it out to 72
minutes or so making it a full length trilogy that would give it a better
shelf life with horror fans and the Deadneks followers. If you read this
far and it still sounds great, then this "psychotic hillbillies crazed
for carnage" opus is recommended. If not, then your BBQ spices and
sauces were probably made in New York City. - Mark Engle |
TERROR
INSIDE
2008 - NR - 85 Minutes
D: Jozef Lenders
S: Corey Feldman - Tanya Memme
DVD Provided by Cinema Epoch
Widescreen/Stereo
Extras: Still Gallery - Trailer
In a tiny little town, Joe (Joe Abby) has been doing some well drilling.
He thinks he’s struck pay dirt, but the soil carries a bizarre virus
that switches the pain and pleasure sensors in the human brain. Self inflicted
pain feels orgasmic. Joe is attracted to waitress, Maria (Tanya Memme),
but is not aware that Allen (Corey Feldman) has been in Maria’s
life for a long time. On his next visit to town, Allen intends on asking
Maria to marry him, but when he arrives, the small town has transformed
into a dark version of itself and everyone is behaving…well, weird.
Now he has to find out what is going on and find a cure to save the woman
he loves. Okay, if I had to depend on Corey Feldman to find a cure for
something I would know that I was in some deep stuff. Plus, Feldman looks
weird in this flick. Greasy, jet black short hair and his face seems puffier
than usual. Not sure if it’s just age or weight creeping up on him,
but he looked a little off. The movie plays like one of those SyFy movies
of the week with a little extra gore, but not much else. You get a ‘seen
it coming’ ending that leaves it open for additional movies if they
so wished. I noticed that Feldman was one of the producers on the movie.
I guess if you’ve got the cash you can still make movies. In the
end, TERROR INSIDE is a lukewarm, unamazing entry into the whole epidemic
on the loose in a small town genre. Meg Tilly and Tim Matheson did it
better in IMPULSE. - Douglas A. Waltz |
TEN
NIGHTS OF DREAMS
Also Known As:
Yume jû-ya
Japanese/2006 – NR – 112 Minutes
D: Keisuke Toyoshima, Atsushi Shimizu, Yûdai Yamaguchi, and others
S: Kyôko Koizumi, Kôji Yamamoto, Mikako Ichikawa, Ken'ichi
Matsuyama
DVD Provided By Cinema Epoch
Widescreen/Stereo
Extras: Film essay and stills
The way this anthology movie was put together is interesting in itself.
Based on a book by Natsume Soseki, a talented group of ten Japanese directors
were each given one of Soseki’s “dreams” to shoot. The
end result is 10 short subjects, all of them ethereal in tone and look
and each one creatively crafted. One of the strong points is that each
segment really does play like a dream, but that can also be puzzling for
the viewer. The stories aren’t linear in their structure and the
imagery is imaginative but sometimes downright confusing. Even so, all
the episodes are lavishly photographed and directed extremely well. My
two favorites belong to filmmaker Atsushi Shimizu, who adds some cool
mystery to his project, and director Keisuke Toyoshima, who spices things
up with some blood and suspense. Also, very much worth mentioning is the
last episode by Yûdai Yamaguchi, which is way out weird and involves
a pig morphing sequence that you have to see to believe. I was disappointed
that the subtitles were burned into the picture instead of using a letterboxing
technique, but that’s mainly because the picture quality is so amazingly
crystal clear and beautiful that I hated seeing anything disrupt it. Admittedly,
this is definitely for the adventuresome genre fans that are on the prowl
for something different, but I get the feeling that most Cultcuts readers
are exactly those kinds of fans. – Craig Hamann |
THUNDER
IN CAROLINA
1960 - N/R - 92 Min
D: Paul Helmick
S: Rory Calhoun - Connie Hines - Race Gentry - Alan Hale Jr.
DVD Provided by VCI Entertainment
Anamorphic Widescreen/Dolby Digital
Extras: Several 1950's Chevy Shorts - Trailers
Rory Calhoun stars as Mitch Cooper, a race car driver at the top of his
game. That is until a horrible accident leaves him with a bum leg. He heads
back to his home town stomping grounds to lick his wounds and befriends
a young naive garage owner and mechanic Les York. Les also wants to be a
stock car racer and soon they strike up a partnership. Mitch also happens
to think that Les' wife Rene is part of the deal. Soon all three are on
the fast track to spills and thrills along the raceway. Sounds exciting,
but it all plays out pretty ho-hum. Rory seems to be channeling a washed
up Dean Martin, constantly coming the Exxon Valdez through his hair while
hitting on anything with two legs and mostly striking out. Race Gentry is
just aggravating and Connie Hines gets some of the meatiest lines, but doesn't
quite know what to do with it except look pretty. Alan Hale Jr. is aka The
Skipper is on board for this faithful trip and as usual is fun to watch.
Nothing like a crippled mechanic with a dead arm to add to the drama. THUNDER
IN CAROLINA covers most of the basics and clichés of the racing genre
including death, loneliness, drinking, bad owners, cheating, superstitions
(never eat peanuts!) and even works in the past of liquor smuggling in dry
counties to boot. It all comes down to the big race when Mitch and Les go
separate ways and have to race each other and everyone else in the final
Southern 500 (taken from actual 1959 footage). The live footage, cars and
extras alone make this disc worthwhile for stock car racing enthusiasts.
The rest of us may just want to stick with our copies of TWO-LANE BLACKTOP.
- Mark Engle |
THE THIRST
2006 – NR – 88 Min.
D: Jeremy Kasten
S: Matt Keeslar – Clare Kramer – Jeremy Sisto – Serena
Scott Thomas – Adam Baldwin
DVD courtesy of Anchor Bay
Entertainment
Anamorphic widescreen / 5.1 Dolby Digital
Extras: Commentary – Deleted scenes – Photo Gallery
Kramer is Lisa, an ex-drug addict stripper with a terminal illness who
manages to cheat death when a female vampire turns her because she likes
the way Lisa dances. Keeslar is Maxx; the ex-drug addict boyfriend who
meets up with his recently deceased love at a fetish club and is himself
turned so that they can remain together. The vampire ‘family’
looks at the reunited couple as an experiment of sorts. Maxx responds
to his new sanguinary cravings with the same obsessive recklessness that
defined his previous addiction. Events quickly snowball out of control
until Lisa and Maxx decide to seek help, a decision to which the original
group is violently opposed. Much carnage ensues. Grimy, foul-mouthed movie
meanders along reveling in its conceit while offering no sympathetic characters
and attempts to make up for its shortcomings with an abundance of exaggerated
splatter, nudity and sex. Inappropriate soundtrack consists of punk/goth/industrial/metal
melange blaring obnoxiously while the kinetic flash cut editing style
frustrates. The ridiculous ‘withdrawal’ scene shows the couple
in their old apartment trying to kick the habit and ends with them eating
their cats after sucking blood from a mattress doesn’t work. Brain
Damage this ain’t. A friend commented that it was as if the filmmakers
were trying to emulate Near Dark (FAIL!) with every bloodsucker acting
the Bill Paxton part – this is certainly a valid observation. The
running time is 88 minutes but it feels like 3 hours. Recommended only
to the most indiscriminate splatter fiends. – Michael Mackie |
THEM (ILS)
French/2006 – NR – 77 Minutes
D: David Moreau & Xavier Palud
S: Olivia Bonamy, Michael Cohen, Adriana Mocca, Maria Roma
DVD Provided by Dark Sky Films
Widescreen/Theatrical DVD Screener Now in select
theaters, if you get a chance, check out this new French exercise in terror.
Based on true events, a couple is tormented during a night of hell by
several assailants. It’s a simple enough premise, but the direction,
editing and use of sound and shadow are all top notch leaving the viewer
completely breathless. The chase scenes are on par with the original Texas
Chainsaw Massacre and the ending as shocking as I’ve seen in a long
time. The acting is top notch by the two leads, Olivia Bonamy and Michael
Cohen as they run for their lives while being trapped throughout the entire
running time. This is one exciting adrenaline inducing scarefest that
made me nervous. Gorehounds will want to look elsewhere, but if tension
building scares is what you are looking for, either check it out on the
big screen or get the DVD when released from Dark Sky Films. Who would
have ever thought the French would be releasing one of my favorite horror
films this year. And I thought Haute Tension was just lucky! THEM comes
highly recommended. – Mark Engle |
TOY
SOLDIERS
1984 – R – 85 Min.
D: David Fisher
S: Terri Garber, Jason Miller, Cleavon Little, Tim Robbins, Tracy Scoggins
Anchor Bay DVD – Now OOP
Anamorphic widescreen / Dolby Digital Mono
Extras: Theatrical Trailer
A group of rich college kids party their way down the coast of Central
America on a yacht guided by the exceptionally gruff Sarge (Miller). After
a practical joke leaves Sarge miles behind, one of the hopelessly intoxicated
cracks his skull open on the boat and several (more sober) friends lead
him ashore to find medical help. Terrorist death squad captures the youths
with plans of ransoming them back to America (fully intending on killing
them later regardless) and only Amy (Garber) manages to escape thanks
to Sarge tracking her down. He is summarily dismissed from his duties
anyway due to his perceived incompetence and soon Amy decides it’s
her responsibility to go back and save her friends. She gathers her remaining
boat-mates, enlists the help of the sympathetic butler, tempts Sarge and
his pilot buddy into helping with money raised by selling Dad’s
limo to Freddie the Fence and they are off to battle. Obscenely far-fetched
premise is often hard to negotiate. Several amusing set pieces are entertaining
to watch though the mix of straight-faced drama with rocket launcher fart-noises
doesn’t always mesh successfully. Sometimes goofy, sometimes mean
spirited, always bordering on the absurd, Toy Soldiers is enough of an
80’s oddity to get some enjoyment out of. The same attitude that
can be found in movies such as Death Before Dishonor and Born American
is well displayed here. Miller plays his part over the top. Little, as
his long-time friend and fellow veteran, doesn’t have much to do
in what amounts to a throwaway role. Violence, torture, and implied sexual
abuse keep the bad guys sinister and Garber shows talent without a lot
to work with. Toy Soldiers rates as average, if not entirely memorable,
entertainment. Proceed with caution. – Michael Mackie
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TOKYO ZOMBIE
2005 - NR - 104 Min.
D: Sakichi Sato
S: Tadanobu Asano - Show Aikawa
DVD provided by Anchor Bay Entertainment
2.35:1 Anamorphic Widescreen/Dolby Surround 5.1/Japanese w/English subtitles
Extras: Making Of Featurette/Actor Interviews/Trailers
According to the box, fans are calling this the "Japanese SHAUN OF
THE DEAD." Besides the fact that there are zombies in both films
and the two protagonists happen to be slackers, I consider the statement
to be a slap in the face to both Japanese Cinema and SHAUN. Two bumbling
idiots who dream of becoming ju-jitsu champions (one as a trainer) accidently
kill their boss and decide to dump him off in the local and huge waste
dump. Unfortunately for civilization, many others have done the same and
toxic waste causes a massive wake-up call on the corpses buried there.
Soon these morons are stuck in a Post Apocalyptic nightmare as the countryside
is overrun with the living dead. The last half deals mainly with their
exploits and shenanigans as they try to survive from one minute to the
next. This includes a chance to wrestle/fight with corpses in a arena.
Some interesting ideas are completely wasted while other moments test
the patience of the viewer (15 minutes watching one sit on the other as
they discuss ju-jitsu techniques). Not to mention this silly comedy seems
to have pedophile fetish that goes way over the top. Any moments and chances
of witty or sly comedy (much of which you find in SHAUN) are completely
non-existent in order to beat the viewer over the head with stupid and
unfunny slapstick that is painful to watch. If you are a fan of SHAUN
OF THE DEAD, do yourself a favor and watch in for the 13th time. It will
still be better and fresher than this turd. - Mark Engle |
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